Netting America: Introduction to the Culture and Literature of the United States
Budapest, 2006; e-textbook sponsored by the European Union and the National Development Fund as part of the structural and contextual development of higher education in Hungary. HEFOP-3.3.1-P.-2004-09-0134/1.0). Edited by Eva Federmayer. Chapters I and II by Irén Annus, Chapters III and IV by Eva Federmayer, Chapters V and VI by Judith Sollosy
Psychoanalysis and American Literary Criticism. Eötvös Loránd University, Budapest, 1983, pp. 67.
Netting America: Introduction to the Culture and Literature of the United States. ELTE-
Munkafüzetek. Budapest: Eötvös Kiadó, 2008. 49pp.
Amerikai irodalom. 2008-2009 tavaszi félév /American Literature, Spring semester of 2008-
2009/. Budapest, Eötvös Kiadó, 2009. 40pp.
American Studies as Cultural Studies in Hungary: Theory and Practice. Americana, Vol. III, Issue 1, Spring, 2007 at http://americanaejournal.hu/vol3no1/federmayer_intro
"Társadalmi nem és románc Chaucer Canterbury meséiben". Susan Crane, Gender and Romance in Chaucer's Canterbury Tales (Princeton, NJ: Princeton UP, 1995). /Reviewing Susan Crane’s Gender and Romance in Chaucer’s Canterbury Tales/. Helikon, 1998, 12, 221-24.
"Toni Morrison." Linden Peach, Toni Morrison. (Macmillan, 1995). Hungarian Journal of English and American Studies (HJEAS). 1998-99, 426-429.
"Poetics". Helikon, 1974, 499-501.
“What’s Performance Got to Do With It? Interview with Jane Desmond about Performance Studies, Cultural Studies and American Studies.” Americana,Vol. III, Issue 1, Spring 2007 at http://americanaejournal.hu/vol3no1/federmayer_desmond
"Naurava aiti ja kirjallisuudentutkijan mina Susan Rubin Suleiman haastattelu" /Interview with Susan Rubin Suleimannal, Director of Harvard University's Committee on Degrees in Women's Studies; with Pirjo Ahokas/. Kvinnoforskning Naistutkimus, 8/2 (1995), 40-45.
ESSAY
“Teaching Nella Larsen’s Novels in Hungary.” Teaching Nella Larsen. Ed. Jacquelyn McLendon,. MLA. (Forthcoming).
”Nation, Gender, and Race in the Ragtime Culture of Millennial Budapest.”Comparative Hungarian Cultural Studies. Ed. Steven Totosy de Zepetnek and Louise O. Vasvari. West Lafayette: Purdue UP, forthcoming in 2011.
“Testbeszéd vagy beszéd a testről. John Howard Griffin, Danzy Senna és Rebecca Walker a többfajú identitásról.” /Body Talk or Speaking About the Body: Representations of Multiracial Identites in John Howard Griffin, Danzy Senna, and Rebecca Walker/. A Mondat Becsülete. Írások a hetvenéves Abádi Nagy Zolátn tiszteletére. Szerk. Bényei Tamás, Bollobás Enikő, D. Rácz István. Debrecen: Debreceni Egyetemi Kiadó /Debrecen University Press/, 2010, 476-488.
A kritikai kultúrakutatás (Cultural Studies) transznacionális térhódítása avagy új fejlemények a kritikai kultúrakutatásban /The Transnational Victory of Cultural Studies: New Developments in Cultural Studies. Anglisztika és Amerikanisztika. Magyar kutatások az ezredfordulón /English and American Studies in Hungary at the Millennium/. Budapest: Tinta Kiadó, 2009. 75-80.
“The Race Movie and the Iconography of the New Negro Woman: Oscar Micheaux’s Within Our Gates” (revised version). To the Memory of Sarolta Kretzoi. Ed Lehel Vadon. Eger: Eszterházy Károly College, 2009, 143-155.
“The Race Movie and the Iconography of the New Negro Woman: Oscar Micheaux’s Within Our Gates.” Iconology of Gender: Representations in Cultural Practices. Eds. Attila Kiss and Szőnyi György Endre. Szegedi Egyetemi Kiadó, 2008, 185a-192a.
“Fekete Obama vagy Fehér Hillary? A ’faj’ és a ’nem’ szerepe az amerikai választási küzdelemben.” /Black Obama or White Hillary? Race and Gender in the American Presidential Campaign/. Egyenlítő, 2008/6. 28-34.
“Octavia Butler’s Maternal Cyborgs: The Black Female World of the Xenogenesis Trilogy.” Anatomy of Science Fiction. Ed. Donald E. Morse. Newcastle: Cambridge Scholars Press, 2006, 95-108.
“American Studies in Hungary,” European Journal of American Studies, 2006 at
http://ejas.revues.org/document451.html
“The Representation of Race and Gender in Douglass Sirk’s Imitation of Life.” Spaces and Transitions. Papers in English and American Studies XII. Szeged, JATE Press, 2005, 27-32.
“The Passing Plot and Contemporary Post-Passing Narratives: Caucasia and Suture.” HUSSE Papers 2003. University of Debrecen, 2004, 171-181.
“Primal Scenes of Encounter: Stradanus, Nick Caraway and American Studies Methodology.” Hungarian Journal of English and American Studies (Debrecen, KLTE), 7/1 (2001), 95-109.
“Octavia Butler’s Maternal Cyborgs: The Black Female World of the Xenogenesis Trilogy.” Hungarian Journal of English and American Studies (Debrecen, KLTE), 6/1 (2000), 103-118.
"The Negro Woman: Old and New." Remembering the Individual / Regional / National Past. Ed. Waldemar Zacharasiewicz. Tübingen: Stauffenburg Verlag, 1999, 159-170.
"Polgári Lakáskultúra és ezredfordulós nőiesség. Elmélkedés a magyar lakáskultúra-
beszédmódról." /Gendered Spaces and Discourses in the Contemporary Hungarian Home Design Magazines/. Replika (1999 április), 105-115.
"A Call to Higher Service and Nobler Life:" Frances Ellen Watkins Harper's
Iola Leroy, or Shadows Uplifted." Alternative Approaches to English-Language-Cultures in
the Nineteenth Century. Ed. Nóra Séllei. Debrecen: Kossuth Lajos
University, 1999, 50-57.
"Black Mother and Cyborg Existence: Reading Octavia Butler from Hungary."
Women and Men in East-European Transition.
Ed. Feischmidt et al. Cluj: Babes Bolyai University, 1997, 247-258.
"Black Woman and the Reconstruction of the Black Family:
Jessie Fauset's There is Confusion." Hungarian Journal of English and American Studies, (Debrecen, KLTE), 2/1 (1996), 93-103.
"The Black Daughter's Revision: Jessie Fauset's Plum Bun(1929)."
HUSSE Papers, Szeged: JATE Press, 1995, 125-134.
"Black Saga and White Language." Americana Hungarica. Budapest: Eötvös Loránd University, 1989, 153-157.
"Critical Approaches to High and Low." High and Low in American Culture.
Budapest: Eötvös Loránd University, 1986, 87-94.
"Poe's Narrative Strategy and 'The Fall of the House of Usher.'" Annales (1985), 31-9.
"Konstrukció-dekonstrukció.” /Construction and Deconstruction/ Filológiai Közlöny (1983), 463-70.
“The Originality of American Literary Criticism.” The Origins and Originality of American Culture. Budapest: Akadémiai Könyvkiadó, 1983, 467-75.
“Beyond Formalism: Problems of Interpretation in Harold Bloom’s Antithetical Criticism.” The Origins and Originality of American Culture. Ed. Tibor Frank. Budapest: Akadémiai Kiadó, 1984.
"A formalizmuson innen és túl." /Formalism and Beyond/. Filológiai Közlöny (1981), 12-7.
"József Attila: 'Tedd a kezed.’” /Discussion of a poem by Attila József/. Magyar Nyelvőr (1976), 172-76.
PUBLIC LECTURES and CONFERENCE PRESENTATIONS
“Multikulturalitás és tolerancia a nyóckerben. Moldova Ágnes ’Babaház’ c. dokumentumfiljének diszkurzív politikája” /Multiculturalism
and Tolerance in the Eighth District of Budapest: The Discursive Politics of Ágnes Moldova’s documentary, ‘Babaház’/. MI/MÁS, Eger,
2010.
“Nationalism, Race, and Gender in the Ragtime Culture of Budapest.” HAAS, Debrecen, 2010.
“Your Body Talk for You or You Speak for Yourself: Representations of Multiracial Identites in John Howard Griffin, Danzy Senna, and Rebecca Walker.” HUSSE, 2009, University of Pécs
“The Cultural Migration of a Musical Idiom: Ragtime in Millennial Budapest.” IFUSS (International Forum for US Studies) public lecture at the University of Illinois, Urbana-Champaign, January 22, 2008.
“Craze for the ‘Yankee Tune’: Ragtime in Fin-de-Siècle Budapest.” Congress of the International Association for American Studies, Sept 17-19, 2007, Lisbon, Portugal
Provocateur at the Closing Roundtable (Session VIII) of
Gender, Empire and the Politics of Central and Eastern Europe. May 17-18, Central European University, Budapest
HAAS Conference: American Studies as Cultural Studies: Theory and Practice, Nov. 26-27, 2004: opening remarks; organizing cultural studies workshop “The Dynamics of Discourses” and mediating it with Jane Desmond, U of Iowa (participants: Irén Annus and Bálint Rozsnyai, U of Szeged; Tibor Glant, U of Debrecen; Gabriella Vöő, U of Pécs)
“Hungarian Reflections on Amy Kaplan’s Presidential Address to the American Studies
Association, Hartford, Connecticut, October 17, 2003.” Looking North: Latin American Scholarship on the U.S., and Comparative Perspectives. International Forum for US Studies (IFUSS) Working Conference, Rio de Janeiro, Brasil, May 30-June 5, 2004.
“Teaching American Literature Today: Reflections on an Experiment.” University Outreach Lecture Series, University of Szeged, Szeged, November 21, 2003.
“The Representation of Race and Gender in Douglas Sirk’s Imitation of Life.” Feminist Studies Conference in Celebration of Sarolta Marinovich’s 60th Birthday. University of Szeged, Szeged, November 15, 2003.
“Nehézségek és új lehetőségek az amerikai irodalom egyetemi oktatásában.” Irányok és
hiányok: A magyar komparatisztika útjai. /Old Problems and New Alternatives in Teaching American Literature; lecture at the ICLA/AILC conference/. Az ICLA/AILC magyar tagozatának konferenciája, October 29, 2003. Illyés Archives, Institute for Literary Studies, Hungarian Academy of Science.
“The Passing Plot and Contemporary Post-Passing Narratives: Caucasia (1998) and Suture
(1993). Hungarian Society for the Studies of English Conference 6, Debrecen, 2003.
“The Race Movie and the Iconography of the New Negro Woman: Oscar Micheaux’s Within Our Gates (1920)”. The Iconography of Gender Conference, Szeged, 2003.
“Gender és multikulturalizmus a kortárs amerikai irodalomkritikában.” /Gender and Multiculturalism in Contemporary American Literary Criticism/. Nő és férfi, férfi és nő. A társadalmi nemek kutatása Magyarországon az ezredfordulón c. konferencia /“Woman and Man, Man and Woman. Researching Gender in Hungary at the Millennium” conference, Budapest, University of Economics, 2002.
“The Revision of the Passing Theme: Jessie Fauset’s Plum Bun.” American Studies Lecture Series, University of Iowa, Iowa, U.S.A., 2002.